• OVER-L series

    When I paint I am caught. I dive into the large format canvas for weeks or months. Sometimes I start sketching lines, sometimes I get close and concentrate on the section in front of me. It is a successive alteration of the scale factor that allows me to create multiple readings: next and immersive; and a global and coherent. This process, combined with my tendency to complexity, moves me to create, combine and transform elements constantly. I do it taking the color as a reference point and integrating it through abstract forms; can be patterns, simple geometries, voluminous formations or even natural reference ideograms. I impose no restrictions on myself. I am guided by intuition. When I find an element suggestive, I turn it into a resource and add it to a common glossary which grows as the series progresses. The work ends when I feel is almost fully saturated, creating a dynamic, complex and colorful composition. Then I feel madly attracted.
    OVER-C series

Do you really wanna stop me?

Acrylic on linen 130x200 cm

Back to kick off

Acrylic on canvas 130x97 cm

Fun

Acrylic on canvas 97x130 cm

Across the Iris

Acrylic on canvas 175x200 cm

Electricland

Acrylic on canvas 172x172 cm

Funky Color Sun Fusion

Acrylic on canvas 195x260 cm (DIPTYCH)

Crash delight

Acrylic on canvas 150x240 cm (DIPTYCH)

OVER-L series

When I paint I am caught. I dive into the large format canvas for weeks or months. Sometimes I start sketching lines, sometimes I get close and concentrate on the section in front of me. It is a successive alteration of the scale factor that allows me to create multiple readings: next and immersive; and a global and coherent. This process, combined with my tendency to complexity, moves me to create, combine and transform elements constantly. I do it taking the color as a reference point and integrating it through abstract forms; can be patterns, simple geometries, voluminous formations or even natural reference ideograms. I impose no restrictions on myself. I am guided by intuition. When I find an element suggestive, I turn it into a resource and add it to a common glossary which grows as the series progresses. The work ends when I feel is almost fully saturated, creating a dynamic, complex and colorful composition. Then I feel madly attracted.

OVER-C series

In the C OVER-C series I explore the synergy produced by combining elements formally opposed. I use different creative processes for each type boosting, even more, their differences. However, although forcing them to coexist in tight spaces, almost claustrophobics, I'm fascinated by the challenge of solving with coherence the tension generated between them.

OVER-M

I started over-M in 2011 with some small studies almost lacking of color saturation. Soon I realized that, just with this change, works conceptually moved into darker and artificial territories. Without losing my interest in movement and large formats…